A Widow for One Year by John Irving - PDF free download eBook

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Overview

Twenty years after The World According to Garp, John Irving gave us his ninth novel, A Widow for One Year, about a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character — a difficult woman. By no means is she convention...

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Details of A Widow for One Year

ISBN
9780770428990
Publisher
Random House Publishing Group
Publication date
Age range
18+ Years
Book language
ENG
Pages
608
Format
PDF, DOC, FB2, RTF
Quality
Normal quality OCR

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Some brief overview of this book

Twenty years after The World According to Garp, John Irving gave us his ninth novel, A Widow for One Year, about a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character — a difficult woman. By no means is she conventionally nice, but she will never be forgotten. Ruths story is told in three parts, each focusing on a critical time in her life. When we first meet her — on Long Island, in the summer of 1958 — Ruth is only four. The second window into Ruths life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. Shes about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.

A few words about book's author

John Winslow Irving was born in Exeter, New Hampshire, in 1942. He is the author of nine novels, among them The World According to Garp, The Hotel New Hampshire, The Cider House Rules, A Prayer for Owen Meany, and A Son of the Circus. Mr. Irving is married and has three sons; he lives in Toronto and in southern Vermont.

Biography

It was as a struggling, withdrawn student at Phillips Exeter, the New Hampshire prep school where his stepfather taught Russian history, that John Irving discovered the two great loves of his life: writing and wrestling. Modestly, he attributes his success in both endeavors to dogged perseverance. My life in wrestling was one-eighth talent and seven-eighths discipline, he confessed in his 1996 mini-memoir The Imaginary Girlfriend. I believe that my life as a writer consists of one-eighth talent and seven-eighths discipline, too. Certainly, patience and stamina have served Irving well — in both wrestling (he competed until he was 34, coached well into his 40s, and was inducted into the National Wrestling Hall of Fame in 1992) and writing. His first book, Setting Free the Bears, was published in 1968 to respectable reviews but sold poorly. Over the course of the next ten years, he wrote two more unsuccessful novels (The Water-Method Man and The 158-Pound Marriage). Then, in 1978, Irving hit the jackpot with The World According to Garp, a freewheeling comic saga incorporating motifs he would revisit many times over — feminism, adultery, violence, grotesquerie, and an overriding sense of impending doom. Garp received a National Book Award nomination and became an instant cult classic. It also paved the way for a string of bestsellers, including The Hotel New Hampshire, The Cider House Rules, A Prayer for Owen Meaney, and The Fourth Hand, to name a few. While none of his novels are strictly autobiographical, Irving has never denied that certain elements from his life have seeped into his books, most notably the pervading presence of his biological father, John Wallace Blunt, a man Irving never knew. Raised by his mother and a stepfather he loved dearly, Irving had denied for years any curiosity about his absent parent, but the figure of the missing father haunted his writing like a specter. In 2005, he laid the ghost to rest with the publication of Until I Find You, a searing story that took shape slowly and painfully over the better part of a decade. Writing the novel also allowed the author to wrestle with a closely guarded secret from his past — just like the novels protagonist Jack Burns, Irving was sexually abused as a preteen by an older woman. In an eerily timed coincidence, while he was crafting the novel, Irving was contacted by a man named Chris Blunt, who identified himself as the son of Irvings biological father. Twenty years younger than Irving, his half-brother told Irving that their father had died in 1995. Although Irving was devastated by the experience, he now feels as if he is able to turn the page and move on. In addition to his novels, Irving has also written a collection of short stories and essays (1995s Trying to Save Piggy Sneed) and several screenplays, including his Oscar-winning adaptation of The Cider House Rules. He chronicled the experience of bringing his novel to the screen in the 1999 memoir My Movie Business.

Good To Know

Irving struggled in school with a learning disability that was probably undiagnosed dyslexia. Today, he considers it something of a blessing. Forced to read slowly, he savored each word and literally fell in love with language and literature. In a 2001 interview with the now-defunct Book magazine, Irving confessed, The characters in my novels, from the very first one, are always on some quixotic effort of attempting to control something that is uncontrollable — some element of the world that is essentially random and out of control. Although the results have been mixed at best, film versions have been made of several Irving novels, including The World According to Garp, The Hotel New Hampshire, and The Cider House Rules, which won for Irving a Best Adapted Screenplay Oscar. In addition, the movie Simon Birch was loosely based on A Prayer for Owen Meaney, and the first third of Irvings novel A Widow for One Year became the acclaimed film The Door in the Floor. One of Irvings great literary influences was Kurt Vonnegut, his teacher and mentor at the Iowa Writers Workshop. The two writers remained close friends until Vonneguts death in 2007. Irving has two tattoos: a maple leaf (in honor of his Canadian wife) on his left shoulder, and the starting circle of a wrestling match on his right forearm. The influence of Charles Dickens is evident in Irvings novels, sprawling epics with huge casts of colorful, eccentric characters and lots of complex plot points that crop up, disappear for hundreds of pages, then resurface unexpectedly. He writes voluminously and in great detail; he refuses to use a computer; and he begins at the end, writing the last sentence of each novel first. He describes himself as a craftsman and claims that he owes his success more to rewrites, ruthless editing, and infinite patience than to artistic genius.

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