Beyond MIDI: The Handbook of Musical Codes by Eleanor Selfridge-Field (Editor) - PDF free download eBook

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Brief introduction:

The establishment of the Musical Instrument Digital Interface (MIDI) in the late 1980s allowed hobbyists and musicians to experiment with sound control in ways that previously had been possible only in research studios. MIDI is now the most prevalent...

Details of Beyond MIDI: The Handbook of Musical Codes

ISBN
9780262193948
Publication date
Age range
18+ Years
Book language
GB
Pages
448
Format
PDF, DJVU, FB3, TXT
Quality
High quality OCR
Dimensions
7.40 (w) x 9.20 (h) x 1.70 (d)

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Some brief overview of this book

The establishment of the Musical Instrument Digital Interface (MIDI) in the late 1980s allowed hobbyists and musicians to experiment with sound control in ways that previously had been possible only in research studios. MIDI is now the most prevalent representation of music, but what it represents is based on hardware control protocols for sound synthesis. Programs that support sound input for graphics output necessarily span a gamut of representational categories. What is most likely to be lost is any sense of the musical work. Thus, for those involved in pedagogy, analysis, simulation, notation, and music theory, the nature of the representation matters a great deal. An understanding of the data requirements of different applications is fundamental to the creation of interchange codes.The contributors to Beyond MIDI present a broad range of schemes, illustrating a wide variety of approaches to music representation. Generally, each chapter describes the history and intended purposes of the code, a description of the representation of the primary attributes of music (pitch, duration, articulation, ornamentation,

dynamics, and timbre), a description of the file organization, some mention of existing data in the format, resources for further information, and at least one encoded example. The book also shows how intended applications influence the kinds of musical information that are encoded.Contributors : David Bainbridge, Ulf

Berggren, Roger D. Boyle, Donald Byrd, David Cooper, Edmund Correia, Jr., David

Cottle, Tim Crawford, J. Stephen Dydo, Brent A. Field, Roger Firman, John Gibson,

Cindy Grande, Lippold Haken, Thomas Hall, David Halperin, Philip Hazel, Walter B.

Hewlett, John Howard, David Huron, Werner Icking, David Jaffe, Bettye Krolick, Max

V. Mathews, Toshiaki Matsushima, Steven R. Newcomb, Kia-Chuan Ng, Kjell E. Nordli,

Sile OModhrain, Perry Roland, Helmut Schaffrath, Bill Schottstaedt, Eleanor

Selfrdige-Field, Peer Sitter, Donald Sloan, Leland Smith, Andranick Tanguiane, Lynn

M. Trowbridge, Frans Wiering.

The MIT Press

A few words about book's author

Eleanor Selfridge-Field is Professor of Music and Symbolic Systems at Stanford

University and a Senior Research Associate at the Center for Computer Assisted

Research in the Humanities.

ost is any sense of the musical work. Thus, for those involved in pedagogy, analysis, simulation, notation, and music theory, the nature of the representation matters a great deal. An understanding of the data requirements of different applications is fundamental to the creation of interchange codes.The contributors to Beyond MIDI present a broad range of schemes, illustrating a wide variety of approaches to music representation. Generally, each chapter describes the history and intended purposes of the code, a description of the representation of the primary attributes of music (pitch, duration, articulation, ornamentation,

dynamics, and timbre), a description of the file organization, some mention of existing data in the format, resources for further information, and at least one encoded example. The book also shows how intended applications influence the kinds of musical information that are encoded.Contributors : David Bainbridge, Ulf

Berggren, Roger D. Boyle, Donald Byrd, David Cooper, Edmund Correia, Jr., David

Cottle, Tim Crawford, J. Stephen Dydo, Brent A. Field, Roger Firman, John Gibson,

Cindy Grande, Lippold Haken, Thomas Hall, David Halperin, Philip Hazel, Walter B.

Hewlett, John Howard, David Huron, Werner Icking, David Jaffe, Bettye Krolick, Max

V. Mathews, Toshiaki Matsushima, Steven R. Newcomb, Kia-Chuan Ng, Kjell E. Nordli,

Sile OModhrain, Perry Roland, Helmut Schaffrath, Bill Schottstaedt, Eleanor

Selfrdige-Field, Peer Sitter, Donald Sloan, Leland Smith, Andranick Tanguiane, Lynn

M. Trowbridge, Frans Wiering.

The MIT Press

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