Blues Music in the Sixties: A Story in Black and White - PDF free download eBook

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Details of Blues Music in the Sixties: A Story in Black and White

Blues Music in the Sixties: A Story in Black and White
Exact title of book
Blues Music in the Sixties: A Story in Black and White
Book author
Ulrich Adelt
ISBN
9780813551746
Publisher
Rutgers University Press
Published
Sep 07, 2011
Language
English
Format
PDF, FB2, EPUB, MOBI
Pages
204
File size (in PDF)
1836 kB

Some brief overview of book

Can a type of music be owned? Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, Blues Music in the Sixties shows the stakes when whites claim the right to play and live the blues. In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white.

Yet, while this was happening, blacknessespecially black masculinityremained a marker of authenticity. Crossing color lines and mixing the beats of B. B.

King, Eric Clapton, and Janis Joplin; the Newport Folk Festival and the American Folk Blues Festival; and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

About book author

Adelt is an assistant professor of American Studies and African American and Diaspora Studies at the University of Wyoming. He has published articles in a number of journals, including American Quarterly and the Journal of Popular Music Studies. s was happening, blacknessespecially black masculinityremained a marker of authenticity. Crossing color lines and mixing the beats of B.

B. King, Eric Clapton, and Janis Joplin; the Newport Folk Festival and the American Folk Blues Festival; and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

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