Epics, Spectacles, and Blockbusters: A Hollywood History by Steve Neale - PDF free download eBook

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  • Published: Oct 06, 2015
  • Reviews: 233

Brief introduction:

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A...

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Details of Epics, Spectacles, and Blockbusters: A Hollywood History

ISBN
9780814330081
Publication date
Age range
18+ Years
Book language
ENG
Pages
376
Format
PDF, CHM, FB3, RTF
Quality
Low quality scanned pages
Dimensions
6.90 (w) x 9.90 (h) x 1.00 (d)
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Some brief overview of this book

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today’s blockbuster in the feature, special, superspecial, roadshow, epic, and spectacle of earlier eras, with special attention to the characteristics of each type of picture.

In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like Gone with the Wind, Samson and Deliliah, and Spartacus and continues to evolve today in films like Spider-Man and Pearl Harbor. In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry.

Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy Epics, Spectacles, and Blockbusters.

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A few words about book author

Sheldon Hall is a senior lecturer in stage and screen studies at Sheffield Hallam University and author of Zulu: With Some Guts Behind It – The Making of the Epic Film and co-editor (with John Belton and Steve Neale) of Widescreen Worldwide.

Steve Neale is professor of English at the University of Exeter and author and editor of several books, most recently, Genre and Contemporary Hollywood.

lly, the authors examine the roots of today’s blockbuster in the feature, special, superspecial, roadshow, epic, and spectacle of earlier eras, with special attention to the characteristics of each type of picture.

In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like Gone with the Wind, Samson and Deliliah, and Spartacus and continues to evolve today in films like Spider-Man and Pearl Harbor. In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry.

Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy Epics, Spectacles, and Blockbusters.

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