Gilead by Marilynne Robinson - PDF free download eBook


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In 1956, toward the end of Reverend John Amess life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowa preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ...

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Details of Gilead

Farrar, Straus and Giroux
Publication date
Age range
18+ Years
Book language
Low quality scanned pages
5.50 (w) x 8.40 (h) x 1.10 (d)

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Some brief overview of this book

In 1956, toward the end of Reverend John Amess life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowa preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He preached men into the Civil War, then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle. Reverend Ames writes to his son about the tension between his father - an ardent pacifist - and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friends wayward son. This is also the tale of another remarkable vision - not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Amess soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten.

Winner of the 2005 Pulitzer Prize for Fiction

Winner of the 2004 National Book Critics Circle Award for Fiction

A few words about book's author

Marilynne Robinson is the author of the modern classic Housekeeping (FSG, 1981)—winner of the PEN/Hemingway Award—and two books of nonfiction, Mother Country (FSG, 1989) and The Death of Adam. She teaches at the University of Iowa Writers Workshop.


For someone who has labored long in the literary vineyard, Marilynne Robinson has produced a remarkably slim oeuvre. However, in this case, quality clearly trumps quantity. Her 1980 debut, Housekeeping, snagged the PEN/Hemingway Award for best first novel and was nominated for the Pulitzer Prize for Fiction. Twenty-four years later, her follow-up novel, Gilead, won the National Book Critics Circle Award, the Ambassador Book Award, and the Pulitzer Prize. And in between, her controversial extended essay Mother Country: Britain, the Welfare State and Nuclear Pollution (1989) was shortlisted for the National Book Award. Robinson is far from indolent. She teaches at several colleges and has written several articles for Harpers, Paris Review, The New York Times Book Review, and other publications. Still, one wonders — especially in the face of her great critical acclaim — why she hasnt produced more full-length works. When asked about these extended periods of literary dormancy, Robinson told Barnes &, I feel as if I have to locate my own thinking landscape... I have to do that by reading — basically trying to get outside the set of assumptions that sometimes seems so small or inappropriate to me. What that entails is working through various ideas that often dont develop because, as she says, I couldnt love them. Still, occasionally Robinson is able to salvage something important from the detritus — for example, Gileads central character, Reverend John Ames. I was just working on a piece of fiction that I had been fiddling with, Robinson explains. There was a character whom I intended as a minor character... he was a minister, and he had written a little poem, and he transformed himself, and he became quite different — he became the narrator. I suddenly knew a great deal about him that was very different from what I assumed when I created him as a character in the first place. This tendency of Robinsons to regard her characters as living, thinking beings may help to explain why her fictional output is so small. While some authors feel a deep compulsion to write daily, approaching writing as a job, Robinson depends on inspiration which often comes from the characters themselves. She explains, I have to have a narrator whose voice tells me what to do — whose voice tells me how to write the novel. As if to prove her point, in 2008, Robinson crafted the luminous novel Home around secondary characters from Gilead: John Amess closest friend, Reverend Robert Boughton, his daughter Glory, and his reprobate son Jack. Paying Robinson the ultimate compliment, Kirkus Reviews declared that the novel comes astonishingly close to matching its amazing predecessor in beauty and power. However, the deeply spiritual Robinson is motivated by a more personal directive than the desire for critical praise or bestsellerdom. Like the writing of Willa Cather — or, more contemporaneously, Annie Dillard — her novels are suffused with themes of faith, atonement, and redemption. She equates writing to prayer because its exploratory and you engage in it in the hope of having another perspective or seeing beyond what is initially obvious or apparent to you. To this sentiment, Robinsons many devoted fans can only add: Amen.

Good To Know

Robinson doesnt just address religion in her writing. She serves as a deacon at the Congregational Church to which she belongs. One might think that winning a Pulitzer Prize could easily go to a writers head, but Robinson continues to approach her work with surprising humility. In fact, her advice to aspiring writers is to always assume your readers are smarter than you are. Robinson is no stranger to controversy. Mother Country, her indictment of the destruction of the environment and those who feign to protect it, has raised the ire of Greenpeace, which attempted to sue her British publisher for libel.

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