Line Up Book by Marisabina Russo - PDF free download eBook

Book author:

  • Published: Sep 29, 2015
  • Reviews: 312

Brief introduction:

Lunch! Sam heard his mother calling. But Sam was very busy. Just a minute, he called back. Sam wasnt ready in a minute. Sams mother was about to lose her patience, but when she saw what Sam had been doing, all was forgiven.An ingenous first...

more details below

Details of Line Up Book

ISBN
9780688062040
Publisher
Penguin Group (USA) Incorporated
Publication date
Age range
4 - 8 Years
Book language
ENG
Pages
24
Format
PDF, DOC, EPUB, RTF
Quality
Low quality scanned pages
Dimensions
8.00 (w) x 9.87 (h) x 0.25 (d)
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Some brief overview of this book

Lunch! Sam heard his mother calling. But Sam was very busy. Just a minute, he called back. Sam wasnt ready in a minute. Sams mother was about to lose her patience, but when she saw what Sam had been doing, all was forgiven.

An ingenous first picture book with bold, brilliant illustrations.

Sam lines up blocks, books, boots, cars, and other objects, all the way from his room to his mother in the kitchen.

bertas mother set up a studio in the attic and gave art lessons. I went with them to sketch in the park. We took the subway into Manhattan to visit museums. I knew I wanted to be an artist.

In the sixth grade I read The Diary of Anne Frank and decided to keep a journal. I keep one to this day. In the seventh grade I started writing short stories. I had a wonderful English teacher, Miss Rothenberg, who encouraged me to write. My first published story appeared in the junior high school literary magazine.

While I dreamed of going to art school, my mother steered me to a liberal arts college, Mount Holyoke. Being a studio art major there was a bit outside the mainstream and, later, having a Mount Holyoke degree didnt open any doors when I began searching for work as an illustrator. But I did get a tremendous education, which serves me well every day of my life.

My early illustration jobs were for magazines, eventually for The New Yorker. I got my first book illustrating job (a cookbook) when I was pregnant with my first child. Other books followed, and two more children. It was only after my third baby was born that an illustrator friend arranged for me to meet Susan Hirschman at Greenwillow. He had to really push me to make the appointment because I was pretty much consumed with motherhood (and exhausted!) The Line Up Book was my first picture book. My son Sam was obsessed with lining up objects all over our house, and that had been my inspiration.

The stories I write usually happen that way. My children say or do something that sticks in my mind. Or I remember something from my own childhood. I mull it over and over and expand it and come up with a story. The initial idea is usually the easy part, but giving it shape, rhythm, and a climax is much more difficult. Painting the pictures is the most fun of all.

There is no other job I would want. Every day when I sit down to work in my studio—which is a bedroom in my house—I feel very lucky and very happy.

From the time I could hold a pencil, I loved to draw. My mother was a single parent who worked full time, and my brothers were much older than I was. It seemed like I spent a lot of time alone. Drawing and, later, writing kept me company.

I was very shy. My mother was always introducing me to little girls who lived in our apartment building in Queens, New York. I became good friends with one girl named Roberta, whose mother was an artist. When they moved to a house a few blocks away, Robertas mother set up a studio in the attic and gave art lessons. I went with them to sketch in the park. We took the subway into Manhattan to visit museums. I knew I wanted to be an artist.

In the sixth grade I read The Diary of Anne Frank and decided to keep a journal. I keep one to this day. In the seventh grade I started writing short stories. I had a wonderful English teacher, Miss Rothenberg, who encouraged me to write. My first published story appeared in the junior high school literary magazine.

While I dreamed of going to art school, my mother steered me to a liberal arts college, Mount Holyoke. Being a studio art major there was a bit outside the mainstream and, later, having a Mount Holyoke degree didnt open any doors when I began searching for work as an illustrator. But I did get a tremendous education, which serves me well every day of my life.

My early illustration jobs were for magazines, eventually for The New Yorker. I got my first book illustrating job (a cookbook) when I was pregnant with my first child. Other books followed, and two more children. It was only after my third baby was born that an illustrator friend arranged for me to meet Susan Hirschman at Greenwillow. He had to really push me to make the appointment because I was pretty much consumed with motherhood (and exhausted!) The Line Up Book was my first picture book. My son Sam was obsessed with lining up objects all over our house, and that had been my inspiration.

The stories I write usually happen that way. My children say or do something that sticks in my mind. Or I remember something from my own childhood. I mull it over and over and expand it and come up with a story. The initial idea is usually the easy part, but giving it shape, rhythm, and a climax is much more difficult. Painting the pictures is the most fun of all.

There is no other job I would want. Every day when I sit down to work in my studio—which is a bedroom in my house—I feel very lucky and very happy.

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A few words about book author

From the time I could hold a pencil, I loved to draw. My mother was a single parent who worked full time, and my brothers were much older than I was. It seemed like I spent a lot of time alone. Drawing and, later, writing kept me company.

I was very shy. My mother was always introducing me to little girls who lived in our apartment building in Queens, New York. I became good friends with one girl named Roberta, whose mother was an artist. When they moved to a house a few blocks away, Robertas mother set up a studio in the attic and gave art lessons. I went with them to sketch in the park. We took the subway into Manhattan to visit museums. I knew I wanted to be an artist.

In the sixth grade I read The Diary of Anne Frank and decided to keep a journal. I keep one to this day. In the seventh grade I started writing short stories. I had a wonderful English teacher, Miss Rothenberg, who encouraged me to write. My first published story appeared in the junior high school literary magazine.

While I dreamed of going to art school, my mother steered me to a liberal arts college, Mount Holyoke. Being a studio art major there was a bit outside the mainstream and, later, having a Mount Holyoke degree didnt open any doors when I began searching for work as an illustrator. But I did get a tremendous education, which serves me well every day of my life.

My early illustration jobs were for magazines, eventually for The New Yorker. I got my first book illustrating job (a cookbook) when I was pregnant with my first child. Other books followed, and two more children. It was only after my third baby was born that an illustrator friend arranged for me to meet Susan Hirschman at Greenwillow. He had to really push me to make the appointment because I was pretty much consumed with motherhood (and exhausted!) The Line Up Book was my first picture book. My son Sam was obsessed with lining up objects all over our house, and that had been my inspiration.

The stories I write usually happen that way. My children say or do something that sticks in my mind. Or I remember something from my own childhood. I mull it over and over and expand it and come up with a story. The initial idea is usually the easy part, but giving it shape, rhythm, and a climax is much more difficult. Painting the pictures is the most fun of all.

There is no other job I would want. Every day when I sit down to work in my studio—which is a bedroom in my house—I feel very lucky and very happy.

From the time I could hold a pencil, I loved to draw. My mother was a single parent who worked full time, and my brothers were much older than I was. It seemed like I spent a lot of time alone. Drawing and, later, writing kept me company.

I was very shy. My mother was always introducing me to little girls who lived in our apartment building in Queens, New York. I became good friends with one girl named Roberta, whose mother was an artist. When they moved to a house a few blocks away, Robertas mother set up a studio in the attic and gave art lessons. I went with them to sketch in the park. We took the subway into Manhattan to visit museums. I knew I wanted to be an artist.

In the sixth grade I read The Diary of Anne Frank and decided to keep a journal. I keep one to this day. In the seventh grade I started writing short stories. I had a wonderful English teacher, Miss Rothenberg, who encouraged me to write. My first published story appeared in the junior high school literary magazine.

While I dreamed of going to art school, my mother steered me to a liberal arts college, Mount Holyoke. Being a studio art major there was a bit outside the mainstream and, later, having a Mount Holyoke degree didnt open any doors when I began searching for work as an illustrator. But I did get a tremendous education, which serves me well every day of my life.

My early illustration jobs were for magazines, eventually for The New Yorker. I got my first book illustrating job (a cookbook) when I was pregnant with my first child. Other books followed, and two more children. It was only after my third baby was born that an illustrator friend arranged for me to meet Susan Hirschman at Greenwillow. He had to really push me to make the appointment because I was pretty much consumed with motherhood (and exhausted!) The Line Up Book was my first picture book. My son Sam was obsessed with lining up objects all over our house, and that had been my inspiration.

The stories I write usually happen that way. My children say or do something that sticks in my mind. Or I remember something from my own childhood. I mull it over and over and expand it and come up with a story. The initial idea is usually the easy part, but giving it shape, rhythm, and a climax is much more difficult. Painting the pictures is the most fun of all.

There is no other job I would want. Every day when I sit down to work in my studio—which is a bedroom in my house—I feel very lucky and very happy.

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