The Offensive Art: Political Satire and Its Censorship around the World from Beerbohm to Borat by Leonard Freedman - PDF free download eBook

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  • Published: Sep 07, 2015
  • Reviews: 348

Brief introduction:

The Offensive Art is an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental,...

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Details of The Offensive Art: Political Satire and Its Censorship around the World from Beerbohm to Borat

ISBN
9780313356001
Publication date
Age range
18+ Years
Book language
EN
Pages
216
Format
PDF, EPUB, FB2, TXT
Quality
Normal quality OCR
Dimensions
6.30 (w) x 9.40 (h) x 1.00 (d)
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Some brief overview of this book

The Offensive Art is an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental, religious, and corporate authorities to suppress it by censorship, intimidation, policy, and fatwa. Examples are drawn from the full spectrum of satiric genres, including novels, plays, verse, songs, essays, cartoons, cabarets and revues, movies, television, and the Internet. The multicultural and multimedia breadth and historical depth of Freedmans comparative approach frames his novel assessment of the role of political satire in todays post-9/11 world, and in particular the cross-cultural controversies it generates, such as the global protests against the Jyllands-Posten cartoons.

In a tongue-in-cheek style peppered with the worlds best one-liners from the last century, The Offensive Art recounts the acrimonious and often perilous cat-and-mouse games between political satirists and their censors and inhibitors through the last century in America (especially FDR, LBJ, Nixon, Reagan, Clinton, and Bush II and in wartime), Britain (especially Churchill, Thatcher, Blair and the Royals), Germany (Hitler to the present), Russia (Stalin to the present), China (Mao to the present), India (from the Raj on), and the Middle East (from 1920s Egypt to today). Freedman focuses on the role and transformation of satire during shifts from authoritarian to democratic systems in such places as South Africa, Argentina, and Eastern Europe. He surveys the state of satire throughout the world today, identifying the most dangerous countries for practitioners of the offensive art, and presents his findings as to the political efficacy of satire in provoking change.

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A few words about book author

LEONARD FREEDMAN is Professor Emeritus of Political Science at the University of California, Los Angeles (UCLA), where he was Dean of the universitys Continuing Education Division. He currently teaches political satire to UCLA undergraduates and extension students. He is the author of seven books, including Power and Politics in America, Politics and Policy in Britain, and Tension Areas in World Affairs. He wrote and narrated the National Public Radio series, Power in America.

and the Internet. The multicultural and multimedia breadth and historical depth of Freedmans comparative approach frames his novel assessment of the role of political satire in todays post-9/11 world, and in particular the cross-cultural controversies it generates, such as the global protests against the Jyllands-Posten cartoons.

In a tongue-in-cheek style peppered with the worlds best one-liners from the last century, The Offensive Art recounts the acrimonious and often perilous cat-and-mouse games between political satirists and their censors and inhibitors through the last century in America (especially FDR, LBJ, Nixon, Reagan, Clinton, and Bush II and in wartime), Britain (especially Churchill, Thatcher, Blair and the Royals), Germany (Hitler to the present), Russia (Stalin to the present), China (Mao to the present), India (from the Raj on), and the Middle East (from 1920s Egypt to today). Freedman focuses on the role and transformation of satire during shifts from authoritarian to democratic systems in such places as South Africa, Argentina, and Eastern Europe. He surveys the state of satire throughout the world today, identifying the most dangerous countries for practitioners of the offensive art, and presents his findings as to the political efficacy of satire in provoking change.

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