Theater of State: Parliament and Political Culture in Early Stuart England by Chris R. Kyle - PDF free download eBook

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  • Published: Sep 10, 2015
  • Reviews: 74

Brief introduction:

This book chronicles the expansion and creation of new public spheres in and around Parliament in the early Stuart period. It focuses on two closely interconnected narratives: the changing nature of communication and discourse within parliamentary...

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Details of Theater of State: Parliament and Political Culture in Early Stuart England

ISBN
9780804752886
Publisher
Stanford University Press
Publication date
Age range
18+ Years
Book language
EN
Pages
288
Format
PDF, FB3, RTF, TXT
Quality
Extra high quality OCR
Dimensions
6.10 (w) x 9.10 (h) x 1.00 (d)
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Some brief overview of this book

This book chronicles the expansion and creation of new public spheres in and around Parliament in the early Stuart period. It focuses on two closely interconnected narratives: the changing nature of communication and discourse within parliamentary chambers and the interaction of Parliament with the wider world of political dialogue and the dissemination of information. Concentrating on the rapidly changing practices of Parliament in print culture, rhetorical strategy, and lobbying during the 1620s, this book demonstrates that Parliament not only moved toward the center stage of politics but also became the center of the post-Reformation public sphere.

Theater of State begins by examining the noise of politics inside Parliament, arguing that the House of Commons increasingly became a place of noisy, hotly contested speech. It then turns to the material conditions of note-taking in Parliament and how and the public became aware of parliamentary debates. The book concludes by examining practices of lobbying, intersections of the public with Parliament within Westminster Palace, and Parliaments expanding print culture. The author argues overall that the Crown dispensed with Parliament because it was too powerful and too popular.

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A few words about book author

Chris R. Kyle is Associate Professor of History at Syracuse University. He is the editor ofParliament, Politics and Elections (2001) and The Oxford Works of Francis Bacon, Vol VII: Legal and Political Writings 1613–1626 (forthcoming).

1620s, this book demonstrates that Parliament not only moved toward the center stage of politics but also became the center of the post-Reformation public sphere.

Theater of State begins by examining the noise of politics inside Parliament, arguing that the House of Commons increasingly became a place of noisy, hotly contested speech. It then turns to the material conditions of note-taking in Parliament and how and the public became aware of parliamentary debates. The book concludes by examining practices of lobbying, intersections of the public with Parliament within Westminster Palace, and Parliaments expanding print culture. The author argues overall that the Crown dispensed with Parliament because it was too powerful and too popular.

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