What Is Cinema?: Volume II - PDF free download eBook

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Details of What Is Cinema?: Volume II

What Is Cinema?: Volume II
Exact title of book
What Is Cinema?: Volume II
Book author
Andre Bazin
ISBN
9780520242289
Published
Dec 13, 2004
Language
English
Format
PDF, FB2, EPUB, MOBI
Pages
226
File size (in PDF)
2034 kB

Some brief overview of book

André Bazins What Is Cinema? (volumes I and II) have been classics of film studies for as long as theyve been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II.

He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the worlds most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of Franois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study.

The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin will survive even if the cinema does not.

About book author

Bazin (19181958) was one of Frances best-known and respected film critics, and mentor to such directors as Truffaut and Godard. Hugh Gray (translator, 19001981) was Professor of Film, Theater, Aesthetics, and Humanities at the University of California, Los Angeles, and Loyola Marymount University. Dudley Andrew is Professor of Film Studies and of Comparative Literature at Yale University.

He is the author of André Bazin (1990) and Mists of Regret Culture and Sensibility in Classic Frshort foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of Franois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating.

As Renoir puts it, the essays of Bazin will survive even if the cinema does not.

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