Women as Weapons of War: Iraq, Sex, and the Media by Kelly Oliver - PDF free download eBook

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  • Published: Sep 05, 2015
  • Reviews: 73

Brief introduction:

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears...

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Details of Women as Weapons of War: Iraq, Sex, and the Media

ISBN
9780231141918
Publication date
Age range
18+ Years
Book language
English
Pages
224
Format
PDF, CHM, FB2, RTF
Quality
Low quality scanned pages
Dimensions
5.80 (w) x 8.70 (h) x 0.60 (d)
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Some brief overview of this book

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise.

From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In Women as Weapons of War, Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify Americas decision to go to war. For example, the administrations call to liberate women of cover, suggesting a womans right to bare arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

Columbia University Press

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A few words about book author

Kelly Oliver is Alton Jones Professor of Philosophy at Vanderbilt University. She is the author of more than fifty articles and fifteen books, including Animal Lessons: How They Teach Us to Be Human; The Colonization of Psychic Space: A Psychoanalytic Theory of Oppression; Family Values: Subjects Between Nature and Culture; and Reading Kristeva: Unraveling the Double-Bind.

Columbia University Press

have become powerful weapons in the Afghanistan and Iraq wars. In Women as Weapons of War, Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify Americas decision to go to war. For example, the administrations call to liberate women of cover, suggesting a womans right to bare arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

Columbia University Press

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